I’m hesitant to post for a couple of reasons: a. my photographic skills are not up to the level of most of those posted here; b. this gun is not nearly as visually tricked out as most of the work seen here. But, it has a certain charm so what the heck.
This Colt originally went out on Colt’s loan account (March 19, 1924) to D.G. Phelps, Colt’s sales manager for many years. A few months later it was returned to the factory and shipped to O.C. Alderman, a hardware proprietor in Springfield, Massachusetts. When I received the pistol it had some interesting features—the top of the slide was sand-blasted, the mainspring housing was flat and checkered, and it had a pre-war Colt match barrel. These were all Colt options in the 1920s and 1930s and I believe these features were original to the gun. The pistol started life as a sales “demo.” However, the pistol also had considerable wear to the finish and some light pitting when I got it. Perfect for what I had in mind.

For several years a project had been rolling around in my head about finding an interesting pre-war Colt and building it out with features congruent with the time period. No beavertail safeties or golf ball treatments for this gun. This would be about subtle functionality, not eye-popping metal work. Who came to mind for the work? Ned Christiansen could have arguably been last in line, given the leading edge nature of most of his projects, yet he got excited about the concept. The design dictum was to stick with the look and feel of a pre-war match gun. We did not hue slavishly to the period but if J. Henry FitzGerald wouldn’t recognize the modifications we didn’t do them. So, Kart barrel and bushing, tightened up slide/frame fit, new ignition parts but old hammer, trigger, slide stop and safeties. The ivory bead front sight and U notch rear was popular with shooters back in the day, and complement the vintage ivory stocks. Old school checkering but a subtle new lanyard attachment feature and mild mag well treatment. There are lots of other little touches and a few we left out that I kind of wish we had included. For example, fire blue small parts and French borders would have added some eye appeal. But overall it came together beautifully and the quality of Ned’s work is second to none, of course. I think this is a gun that Frank Hamer or Melvin Purvis would have appreciated.

Regards,
Kevin Williams